I (don’t) Love the Way You Lie (Part 1)



Just to be clear? I have never paid any attention to Eminem…at all, and I am 100% positive he hasn’t a clue who I am either. Those minor details aside, for the first time in my life I actually wish I had the ability to reach a celebrity on the phone and have a real conversation. A conversation that would seek to understand rather than judge, and weave perspective for both of us into our respective minds. If it were possible I would gladly welcome the opportunity to sit on a couch and speak with Eminem.

Of this much I can be sure, Eminem, formerly known as Marshall Bruce Mathers III, is working out his past through music and video. What I can’t be sure of is if it leaves him feeling liberated from his pain or tortured by it—and really? Maybe it’s none of my business how his past lands on him, or his present for that matter, or anything that has anything to do with what he thinks or feels. But he is a celebrity and with that comes the weight of people connecting with him, which means people either feel he is speaking for them or they feel he is not.

 

 If you don’t know me and are choosing to decipher where I am going I need to be super clear—I am a survivor of teen dating violence, it was many years ago, I was 17-19 during that time and my life now in-part revolves around educating students and parents about dating abuse.

I also happen to be an artist of sorts and as a rule, I do not believe in censorship.

I do however believe that when you have the ability to reach millions of people because of who you are- then by default- there is an enormous responsibility that accompanies that privilege.

While away on vacation this summer there was a period where I was blissfully unplugged from the Internet; you got it—no email, no Facebook, Twitter, or YouTube. Unbeknownst to me there was a buzz percolating over the wires about the song Love the Way You Lie, a song cut from the album called Recovery by Eminem. More to the point the video—was causing an enormous outcry. I was oblivious.

Ironically during this Internet blackout period I was humming the controversial song almost non-stop—all the while clueless of the messages that were woven into this highly evocative tune. Embarrassed as I may be to admit this, I also didn’t realize that the voice I was emulating, and not well I should add, was Rihanna’s. The line I had committed to memory was “Just gonna stand there and watch me burn…hmmm hmmm hmmm….”

Fast forward we returned from vacation and if you had been a fly on the wall you would have spied me crawling under my desk and plugging my surge protector back into the wall and pushing the button of my computer “ON”.

I had not checked my Facebook or Twitter for a while…in fact based on my Twitter feed, 7/31st at 1:36 PM, was my last tweet until this one:  

Back on the grid…and so much to catch up on..thanks to @shapingyouth @pigtailpals for a few clues in my inbox. Island life was so GR8…. 9:19 AM Aug 14th via web.

Clue # 1: There was a Facebook message dated 8/6 from my friend Melissa it included the following:

If you haven’t yet seen it, I would love for you to comment on the Rihanna/Eminem video for “Love the Way You Lie”. Warning – it may have some triggers for you.

Melissa had written her first response to Love the Way You Lie on Jessica Lawrence’s Blog, and later posted her own thorough response on her Pigtail Pals Blog. Candidly I say “bravo” to every word both Melissa and Jessica wrote.

I sucked in my breath. I wasn’t ready to feel triggered—I was still basking in the rapidly disappearing vacation chill mode.

Clue #2: My friend Amy had written a piece on her Shaping Youth Blog –also a poignant piece and she referenced my book, Tornado Warning, and clearly stated that she was not reaching out to me for comment because I was on vacation (thank you Amy). I say “bravo” to every word written there as well.

Chandler and Me at the Beach

 

And then there is my daughter…

The day I watched the video, and as little as an hour after I left my computer and the video behind, while standing in the kitchen my daughter’s cell phone text message notification rang…the ring tone song hit me between the eyes like a sledge hammer. After she read her message I looked at her and said:

“Do you have any idea what that song is about?”

“Yup.”

“Humor me…what is it about?” I ignored the rolling of the eyes and listened to her impatiently tell me…

“A guy who beats up his girlfriend.”

“…and you think what about that…”

“MOM…it’s just a song…and I LIKE the song!” clearly she was defensive.

“I didn’t ask whether you liked the song, I asked what you think about the message Chandler.”

“Oh my God Mom…sometimes you are SO serious…it’s JUST a song!”

And therein lies one of the problems. My daughters’ words cut me like a knife. “It’s just a song.” I also realized I was wrestling with my own guilt…had I not hummed the song OBLIVIOUS of the messages it carried while happily on vacation? She actually knew the words…but did she understand them?

“Mom…this may be about your experience but it’s not about mine! For me it’s just a song!” (Ouch)

“OK, let’s assume you are right Chandler and it’s “JUST” a song…I still feel compelled to ask you, what do you think about the messages wrapped into it and in particular the last line of the song?”

“You know I don’t agree with it Mom. And the last line? How he’s going to tie her to the bed and burn the house down?”

“Yes. That. Line.” My own patience was unraveling along with hers and my internal voices were competing with the conversation because I felt like screaming at the top of my lungs: ”HOLY CRAP! We are raising a completely desensitized generation of children and I am part of the problem!!!”

But I didn’t, instead I listened.

“Mom, the guy is deranged—he’s clearly a jerk if that’s what he really feels…but I STILL like the song. Seriously, I don’t think anyone hitting anyone or threatening anyone is OK—you know that! But the song is great and it’s not confusing me or making me see violence in a relationship as OK…so what’s the big deal?”

“The big deal is it’s my job to ask questions and understand the affect of what you listen to has—the song glamorizes violence, it all but states that tortured love is “real love” or that it is “sexy to be needed/wanted”–to make matters worse Rihanna is singing about how “that’s alright” that’s the big deal. Does that make any sense?”

“Sure. Look Mom…I love lots of music—I don’t rely on the words of songs to teach me life lessons, OK?”

“Hm. I am listening Chandler…I still have my issues about it.”

“But YOUR issues—are not mine.”

“True, they are not one and the same. OK Chandler I am going to accept what you say at face value but I want to be clear that I may have more questions for you about this…I have seen the video and I am baffled by Rihanna’s role in the whole thing. It just isn’t sitting well with me on any level. She stated on national television that she felt responsible for how girls viewed her relationship with Chris Brown. I can’t help wonder where she feels her responsibility is now…”

“She did?” she’s staring at me now.

“Yes, she did. She was interviewed by a woman named Diane Sawyer months ago about her relationship and breakup with Chris Brown, at the time I felt very connected to her….but her role in the song and the video have left me confused and disappointed.”

“She actually said she felt responsible for girls?” she’s still staring at me.

“I need to look at the interview again Chandler but yes…if memory serves that was what she said.”

(more about Rihanna in Part 2)

To say I was triggered by the video would be a gross understatement. I was raised in an era where songs were deconstructed and meaning was sought…I am not desensitized on any level when I actually read the words, in fact the opposite is true I feel it at a visceral level. I remember when MTV first aired and music suddenly came to life in a whole new way. And now we have YouTube (which I think is awesome) but with that, videos are adding imagery that I now cannot just forget, it’s there tattooed on my brain and as permanent as the art emblems that cover Eminem in the photo above.

Just gonna stand there
And watch me burn
But that’s alright
Because I like
The way it hurts
Just gonna stand there
And hear me cry
But that’s alright
Because I love
The way you lie
I love the way you lie
I love the way you lie

                                -Eminem

My own abusive relationship ended 28 years ago—and yet what Rihanna and Eminem created together on film rendered me silent, numb, and staring into the finished video which begged for me to re-play it, all while tears streamed down my face.

That was August 17th and from that moment it has taken me 14 days to wrap my mind around how I feel and what I think…and even now I am sifting as I write. But there is one thing that I am crystal clear about:

  • There was nothing alright about my pain

  • I did not like the way it hurt

  • The countless times I was left sobbing myself to sleep after being physically, mentally and sometimes sexually violated, robbed me of the ability to trust for a very long time…

  • And last, there was not one part of the lies that I was told that I loved—not one part.

  • Warning if you have not seen this video and you have been, or are in an abusive relationship it may trigger emotions for you. There are countless ways to get help. There are resources on my website for parents and teens.  The telephone number for the National Domestic Violence Hotline is: 1-800-799-SAFE (7233)

    Part 2: http://www.elinstebbinswaldal.com/category/blog/

    3 comments


    • Thank you, Elin, for taking the time to teach.

      Thank you for using your voice, for taking responsibility for our girls, and for teaching them that abuse is never okay.

      Melissa

      September 1, 2010
    • [...] This post was mentioned on Twitter by Joni Thorne, C Allison and Octaviano Moniz, Safe World Campaign. Safe World Campaign said: ' I (don’t) Love the Way You Lie' (Part 1) http://ow.ly/2ydVr by @ElinWaldal [...]

      September 1, 2010
    • Rod

      revised comment:

      After watching this video and listening to the lyrics twice and reflecting on them, my perception is that Eminem is actually making a powerful statement about the cycle of domestic violence by portraying realistically just how distorted perceptions and serious consequences become for couples ensnared in the destructive and controlling dynamics that develop in an abusive relationship. I believe that the chorus may be communicating the opposite of the literal verse: that either the chorus illustrates the abusive male’s perspective, expresses the female’s voice communicating irony toward the male’s distorted perspective that demonstrates he is totally disregarding the damage and pain he is causing her, or that the chorus expresses sarcasm to convey the degree of mistreatment and damage to which the woman is being subjected along with the despair, helplessness and futility that she feels.

      Eminem may be expressing social commentary on the extreme danger and ultimately fatal consequences that characterize an escalating abusive relationship. My interpretation is that Eminem’s song actually affirms your last four bulleted points to the core, Elin, and reveals how he has used his talent either to raise awareness or to identify with the disturbing nature of what countless fans may be contending with in their own personal realities. If my interpretation is accurate, I am impressed with the depth of the poignant message that Eminem achieves in one video. If viewers and listeners perceive the video literally or at face value, rather than perceive that the images and words communicate a social crisis and epidemic, they may miss the veracity of his expression or the producer’s meaning. I agree that exploring the meaning of the song is valuable.

      September 5, 2010

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